The American artist Mary Ellen Bute (1906-1983) is today recognized as a pioneer of animation films, especially in the field of so-called visual music.
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Richard Neutra designs and builds between 1934 and 1935 a house for the filmmaker Josef von Sternberg, few years after he premiered his famous film Der Blaue Engel (The Blue Angel, 1930). Alejandro de la Sota builds in 1972 a home for the Guzmán family. Both buildings have been demolished, at different times but in very similar circumstances.
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Stefan Larson, Swedish artist residing in Otsu (Japan) and creator of the AUJIK artistic movement, transforms Osaka into a living organism in one of his latest multimedia projects (Spatial Bodies, 2016).
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This is the strongest means of characterization the film possesses; and it is not reproduction but genuine production. The cameraman’s vision, his artistic creative work, the expression of his personality, can be seen only in the screen projection.
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I like the game of the double life, the world of fantasy where anything can happen. The beauty of the fantasy would not be the one that it is without the other side of the coin, the reality.
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The Italian architect and illustrator Federico Babina has imagined in one of his collections of drawings, entitled Archidirector, a series of 27 imaginary houses inspired by renowned film directors.
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The Amalienburg hunting pavilion, and in particular its Spiegelsaal [Hall of Mirrors], has been source of inspiration for many works of very different creative disciplines.
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Caterpillar’s body already contains all cells, all colours of the butterfly, is its potentiality. But it cannot fly. Jean-Claude Carrière read more
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Stanley Kubrick uses two different houses, the Jaffe House of the TEAM 4 and the New House of Roy Stout and Patrick Litchfield, for the shooting of one of the most impressive sequences of A Clockwork Orange, the domestic assault of the writer Frank Alexander and his wife.
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The price for the best feature film at the 20th film festival AVANCA 2016 has been awarded to the film Enclave of the Serbian filmmaker Goran Radovanovic, also awarded in 2011 with the same price.
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